Woytek makes the seasons part human, part flower. They do not illustrate the seasons directly, but are instead an invitation to free association. Spring, for instance, seems to have a shoot sprouting from a sculpture clearly recalling a cello, summer is a nimble-footed two-step, autumn appears to be wracked by seasonal storms, and winter seems to go its way tightly muffled. As an ensemble, the figures form a complete annual cycle, yet each one of them can stand on its own.

4 editions in bronze, cast using the lost wax technique, chased and patinated by hand.